These connections make it easier than ever to incorporate the light into current workflows while also providing a significant level of future-proofing. The Orbiter also features significant data input and throughput connectivity options, including USB-C, USB-A, EtherCON LAN, camera sync, DMX, wireless DMX and even an SD card reader. This ability will make it far easier for cinematographers to precisely dial in the look they’re going for without continually having to raise and lower the fixture. For instance, the Orbiter’s four-inch full-color control panel can be physically removed and tethered to a more accessible part of a lighting stand. Two other areas where the Orbiter benefits from lessons learned on previous ARRI technologies are the control and connectivity features. These are the kinds of small but critical features that separate companies like ARRI from less mature lighting fixture producers. The LiOS also feature unique modes that balance the output levels of the light against the amount of ambient noise created by the fixtures cooling fans. These modes include color selection via CCT, HSI, get selection, source matching, color matching or even special effects. This new OS includes eight new color modes for achieving the exact look designers are wanting to achieve, using the methodology they’re most comfortable with. The new Orbiter boasts vastly improved electronics, with four times more processing power and 125 times more memory compared to their previous LED fixtures. These improved specs are designed to not only allow users to take immediate advantage of the light’s responsiveness and utility, but also provide space for future firmware and feature upgrades.Īnother major new feature of the Orbiter is its new operating system called the LiOS. Right away it’s clear that the ARRI Orbiter was envisioned as an entirely novel style of LED lighting fixture, designed to be equally at home on a film set, studio environment or in a live performance venue. Utilizing a distinctive ‘open-face’ approach, the Orbiter can be fitted with interchangeable lenses, domes and softboxes to focus and shape the light for a wide variety of use cases. While we haven actually yet had the chance to put the fixture through its paces, in this first look article we’ll explore the features that makes it so unique. In late 2019 ARRI announced a new approach to high-end LED light with their ARRI Orbiter, a fixture they see as the next big step in the evolution of cinema and studio lighting. With the introduction of their L-series LED Fresnels and Skypanels, ARRI has established themselves as an industry leader in this developing field. One of the most exciting technological developments in the field of lighting over the past decade has been the evolution of LED instruments powerful enough to be used in cinematic and live production settings.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |